Stage · AV · content · show call

Event Production & Show Direction

Creative direction, stage and room design, technical specification, content control, rehearsals and live show calling — one production plan, one running order.

The audience judges a conference by the twenty minutes at the front of the room. That twenty minutes is a set design, a lighting plot, an audio system, a video chain, a content pipeline and a person calling cues — and it either was rehearsed or it was not.

We design the room against the building we surveyed, specify the technical package to that design, control every deck through one desk, rehearse the transitions and call the show live. Backups are agreed before the rehearsal, not improvised during it.

What is included

  • Creative direction and set design
  • Lighting, audio and video specification
  • LED, projection and screen design
  • Presentation and content management
  • Speaker rehearsal and coaching support
  • Run of show and cue sheets
  • Live show calling and stage management
  • Streaming, recording and post-event assets
Event Production & Show Direction — how the workstream is structured
Stage · AV · content · show call8 inclusions

Design to the room you measured

Ceiling height at the stage, rigging capacity, pillar positions, sightlines from the back corner, dock access and lift dimensions for the set. A design that ignores any one of these becomes a change order three weeks out — priced at whatever the venue’s exclusive supplier decides.

One content desk

Every deck arrives at one place, is version-controlled, checked on the actual show system for fonts, video and aspect ratio, and locked. Speakers who want to change a slide talk to the content desk, not to a technician during a coffee break.

Rehearse the transitions

Sessions rarely fail in the middle. They fail in the handover — a walk-on that starts before the video ends, a panel with four chairs and five panellists, a microphone handed to someone standing in the dark. We rehearse the joins, because they are the part with no script.

Backups are agreed in advance

A redundant playback machine, a spare radio channel, a lighting state that works if the desk fails, a plan for a keynote whose flight is delayed. Written down, assigned to a person and tested at rehearsal — otherwise it is a hope, not a backup.

What you get

Deliverables, not intentions.

These are the artefacts that exist at the end of this workstream. If one of them is missing from a proposal you have received elsewhere, it is worth asking why.

01Stage and room design against measured venue conditionsDeliverable
02Technical specification and supplier packageDeliverable
03One controlled version of every piece of show contentDeliverable
04Rehearsed running order with cue sheetsDeliverable
05Recorded assets and edited highlightsDeliverable

Questions

Event Production & Show Direction — the awkward ones.

It depends on the venue’s exclusivity terms and on what the show actually needs. Some venues have genuinely good in-house teams and restrictive contracts that make fighting it pointless. We price both where we can, tell you what the exclusivity is costing, and negotiate the parts worth negotiating.

One working day · hello@voyacircle.com

Need event production & show direction? Send the brief.

Creative direction, stage and room design, technical specification, content control, rehearsals and live show calling — one production plan, one running order.

Send a brief

Step 1 of 3 · The event About two minutes. Answered within one working day by a person, not an autoresponder.

01 · What kind of event is it?

Commercial and programme detail stays private and is used only to answer your enquiry. Would rather not fill in a form? hello@voyacircle.com reaches the same people.

Would rather not fill in a form? hello@voyacircle.com reaches the same people.